PIXIES TROMPE LE MONDE UDSACD 2066 • The Pixies Swan Song Sparks With Electrically Charged Hooks, Outer-Space Atmospherics, and Eminent Tunefulness. • Mastered from the Original Master Tapes: Restoration Turns This 1991 Album Into a Sonic Blockbuster. • The Frank Black Led Set Includes Contagious Cover of The Jesus and Mary Chain's “Head On”. • This Release Completes MoFi's Pixies Catalog Restoration Series: Including Surfer Rosa, Doolittle, and Bossanova. The Pixies verged on commercial breakthrough when the now-iconic band released Trompe le Monde in September 1991.   A sea change in popular music tastes that the band helped initiate began to sweep the world.   And the Boston quartet seemed prepared to lead the way, with this, its eminently tuneful fourth record, jam-packed with crafty hooks, prickly tones, catchy elements, outer-space atmospherics, electrically charged energy, and delightfully quirky lyrics. As it stands, Trompe le Monde takes its place as one of the finest swan songs ever recorded.   If the Pixies wouldn't have broken up right after its release, there's no telling what would've happened.   All that you need to know is that the 15-track effort is as hard rocking and brilliantly innovative as any of the group's creations. That's no small feat. Mastered from the original analog tapes, Mobile Fidelity's numbered limited edition hybrid SACD presents the ensemble's abrasively melodic landmark in a fidelity it's never enjoyed in any prior digital version.   Featuring lusher keyboards and moodier soundscapes than its predecessors, but also reclaiming the nasty guitar edginess and swooning distortion of the group's earliest efforts, Trompe de la Monde finally comes across as the Pixies intended: A sonic bridge between college-rock's influential cruder-textured albums and the polished professionalism that distinguished alt-rock classics. Musically, the Pixies were never better.   On par with the groundbreaking Surfer Rosa and Doolittle, Trompe le Monde explodes with hyper riffs, jerks to stop-start progressions, elates with cheerful emotions, and bangs on to giddy surf-fused arrangements.   With Kim Deal absent from the songwriting process, vocalist/guitarist Frank Black takes the reigns and doesn't disappoint.   Tales about sea monkeys (“Palace of the Brine”), aliens (“Planet of Sound”), and love (“The Sad Punk”) bop alongside memorable jabs at hipster pretensions (“Subbacultcha”) and inflated egos (“U-Mass”).   A contagious cover of the Jesus and Mary Chain's “Head On” will have you hitting “repeat.”   Power pop, wanderlust punk, theatrical glam rock, reconfigured reverb-laden country — all here, all encouraging repeat listens. Nearly lost due amidst the alternative trend that it played such a key role in spawning, Trompe le Monde gets new life courtesy of this extremely punchy, greatly balanced Mobile Fidelity issue.   If you missed it the first time, don't make that mistake again.   Essential with a capital “E,” and the perfect way to close Mobile Fidelity's Pixies catalog restoration series. 1. Trompe le Monde 2. Planet of Sound 3. Alec Eiffel 4. The Sad Punk 5. Head On 6. U-Mass 7. Palace of the Brine 8. Letter to Memphis   9. Bird Dream of the Olympus Mons 10. Space (I Believe In) 11. Subbacultcha 12. Distance Equals Rate Times Time 13. Lovely Day 14. Motorway to Roswell 15. The Navajo Know Mobile Fidelity Sound Lab recordings are distributed in Australia by Rockian Trading