¡SACABUCHE! 17th Century Italian Motets ¡Sacabuche! Ensemble Linda Pearse, artistic director ACD2 2712 Early 17th century Italian motets are the focus of this debut ATMA Classique album by ¡Sacabuche! Ensemble directed by Linda Pearse. The motets include specific parts for trombones and document the growing 17th century tendency towards naming particular instruments and composing idiomatic parts for them. In addition to their inherent beauty, these works by lesser known composers were chosen because they are representative of different musical types. 17th-Century Italian Motets represents the culmination of seventeen years of research, publication, performance, and pedagogy by trombone player Linda Pearse, and is a labour of love in aural format. Since 1997, Pearse has been collecting seventeenth-century Italian sacred motets with dedicated trombone parts. She pursued a doctoral dissertation at Indiana University, and a critical edition of this music was published by A-R Editions (2014). Canadian Linda Pearse is recognized as a specialist in the exquisite musical repertoire of early seventeenth-century Italy. Pearse is Assistant Professor at Mount Allison University and Lecturer on Baroque Trombone at Indiana University Bloomington. Following studies at McGill University and the Schola Cantorum (Basel), her career in Europe included regular performances with the Stuttgart Philharmoniker, the Stuttgart Opera House, the Basel Symphony, La Cetra, piano possibile, and the Stuttgart Musical Theater. Pearse is Artistic Director of the San Francisco Early Music Baroque Workshop, the Sackville Festival of Early Music, and the ensemble ¡Sacabuche!
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