ACD 2668 Cover

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MEINE SEELE
German Sacred Music

Matthew White - CONTRA - TENOR | COUNTERTENOR
Tempo Rubato
Alexander Weimann - DIRECTOR


ACD2 2668

• On this new ATMA Classique CD, Meine Seele (My soul), Canadian countertenor Matthew White breathes new life into sacred cantatas by German composers who preceded Bach.   Listeners are invited to rediscover forgotten works by such 17th-century German masters as Franz Tunder, Christoph Bernhard, and Philipp Heinrich Erlebach.

• Matthew White is currently the Artistic Director of Early Music Vancouver and programming director of Montreal's Les Voix Baroques.   Operatic engagements have included work with the New York City Opera, Houston Grand Opera, Glyndebourne Festival Opera, Cleveland Opera, Opera Atelier, Modern Baroque Opera, the Boston Early Music Festival and the Pacific Opera Victoria.

• Alexander Weimann has traveled the world as a member of the ensemble Tragicomedia; as a frequent guest of ensembles such as Les Boréades, Cantus Cölln, Freib, Tafelmusik, and the Gesualdo Consort Amsterdam.   He led the Portland Baroque Orchestra in Handel's Messiah, conducted the Pacific Baroque Orchestra – of which he is Artistic Director since 2009 – and performed Bach's Harpsichord Concertos as soloist with Les Violons du Roy.

JOHANN SEBASTIAN BACH (1685 1750)
      Cantate | Cantata Widerstehe doch der Sünde BWV 54     [9:52]
      pour voix d'alto, 2 violons, 2 altos, et basse continue |
      for alto voice, 2 violins, 2 violas, and continuo (manus., Weimar, 1714)
  1. Aria     [5:57]
  2. Recitativo     [l:03]
  3. Aria     [2:52]

      FRANZ TUNDER (1614 1667)
  4. Sinfonia     [l:52]
      pour 2 violons, 2 altos, 3 violes de gambe et basse continue sur Da pacem Domine |
      for 2 violins, 2 Violas, 3 viola da gamba and continuo (manus,. s.d.)
  5. Motet Salve, mi Jesu     [5:34]
      pour voix d'alto, 2 violons, 2 violes de gambe et basse continue |
      for alto voice, 2 violins, 2 violas du gamba and continuo (manus., s.d.)

PHILIPP HEINRICH ERLEBACH (1657 1715)
      Ouvertüre et suite | Overture and Suite     [10:35]
      pour 2 violons, 2 altos, et basse continue n° 3 en do ma)eur [extraits] |
      for 2 voilins, 2 violas and continuo No 3 in C major [excerpts] (VI Ouvertures Nuremberg 1693)
  6. Ouverture         [l:56]
  7. Menuet         [l:43]
  8. La Plainte         [2:18]
  9. Le Sommeil         [3:32]
10. La Réjouissance     [1:06]

JOHANN ROSENMULLER (l6l9 1684)
11. Motet Ascendit Christus     [6:52]
      pour voix d'alto, 2 violons, 2 altos et basse contsnue |
      for alto voice, 2 violins, 2 violas and continuo (manus., s.d.)

JOHANN MICHAEL BACH (1648 1694)
12. Ana Auf, laßt uns den Herren loben     [5:43]
      pour voix d'alto, violon, 3 vioies de gambe et basse continue |
      for alto voice, violin, 3 violas da gamba and continuo (manus s.d.)

CHRISTOPH BERNHARD (1628 1692)
13. Concerto Was betrübst du dich, meine Seele     [4:30]
      pour voix d'alto, alto, viole de gambe et basse continue |
      for alto voice, viola, viola da gamba and continuo {Geistliche Harmonien Hambourg 1665)

GEORG MUFFAT (1653 1704)
14. Passacaille pour orgue en sol mineur |
      Passacaglia for organ in G minor
    [7:1O]
      {Apparatus musico-organisticus Salzbourg 1690}

HEINRICH SCHUTZ (1585 1672)
15. Concerto Erbarm dich mein, o Herre Gott     [4:28]
      pour voix d'alto, violon, 3 violes de gambe et basse- continue |
      for alto voice, violin, 3 violas da gamba and continuo (manus., s.d.)

JOHANN ROSENMÜLLER
      Danses | Dances
      pour 2 violons, 3 violes de gambe et basse continue |
      for 2 violins, 3 violas da gamba and continuo (Studentenmustk Leipzig 1654)
16. Paduana - Ballo     {5:02}

PHILIPP HEINRICH ERLEBACH
17. Cantate | Cantata Trocknet euch, ihr heissen Zähren     [7:26}
      pour voix d'alto, 2 violons, 2 violes de gambe et basse continue |
      for alto voice, 2 violins, 2 violas da gamba and continuo
      {Harmonische. Freude Musikalischer Freunde II, Nuremberg 1710)



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