Purcell and Gershwin?
At first it seemed like the type of clumsy pianotop cohabitation that keeps plaster busts of Mozart in eternally uneasy company with plaster Tchaikovskys, but my 3 a.m. state of mind had already begun searching the parallels between the two:
I had already picked up on the similarity in their melodic and harmonic styles (both were renowned for their harmonic daring though separated by hundreds of years!). Justly famous for their brilliant theater music, both composers found
greater satisfaction in their serious work. Each left one landmark opera
1. Summertime (George Gershwin, 1898-1937) 2:24
2. "Cold Song" (Henry Purcell, 1659-1695) 2:27
3. Hornpipe (Henry Purcell)* 1:11
4. Bess, you is my woman (George Gershwin)* 4:04
5. Someone to watch over me (George Gershwin) 3:29
6. Fantasy 5 (Henry Purcell)* 2:47
7. Prelude I (George Gershwin)* 1:40
8. Strike the Viol (Henry Purcell) 2:44
9. Round-O (Henry Purcell)* 1:11
10. Embraceable you (George Gershwin) 2:45
11. How blest are shepherds (Henry Purcell)* 1:36
12. But Not For Me (George Gershwin) 3:20
13. Ground (William Croft, 1678-1727)* 2:33
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14. Oft she visits (Henry Purcell) 2:20
15. Sweet and low down (George Gershwin)* 1:31
16. A foggy day (George Gershwin) 3:23
17. Impromptu (George Gershwin)* 1:21
18. Chaconny (Henry Purcell)* 3:56
19. Three Waltzes in C (George Gershwin)* 2:59
20. My man's gone now (George Gershwin) 3:16
21. Prelude II (George Gershwin)* 3:26
22. Dido's Lament (Henry Purcell) 2:57
* Instrumental
Arrangements - Jay Bernfeld
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