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  Dohnányi, Seiber, Veress, Weinder
György Terebesi - violon |
Is there any Hungarian music in the twentieth century, outside Bartók, Kodály, Kurtág and Ligeti? This record replies with a resounding "yes". But this answer raises other questions: what is "Hungarian music"? On what grounds do these composers justify their claim to the title "Hungarian"? Do their works exhale a specific "Hungarian" aroma? Each of the composers here represented provides an original answer to these questions. György Terebesi here reveals his Magyar soul in his interpretations of these major Hungarian works.
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Leó Weiner (1885-1960) Sonate nº 2 en fa diése minuer, op.11, pour violon et piano (1918) [ 1. ] Allegro [6:40] [ 2. ] Presto [2:51] [ 3. ] Larghetto [5:45] [ 4. ] Rubato (moderato) [10:46] Ernö Dohnáyi (1877-1960) Sonate en do dièse minuer, op.21, pour violon et piano (1912) [ 5. ] Allegro appassionato [6:28] [ 6. ] Allegro ma con tenerezza [4:13] [ 7. ] Vivace assai [7:06] Sándor Veress (1907-1992) [ 8. ] Danse hongroise [6:27] Mátyás Seiber (1905-1960) Sonate da camera pour violon et violoncelle (1925) [ 9. ] Molto sonstenuto, un poco rubato [5:42] [10.] Allegro misterioso [8:20] |
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