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 Suite & Concertos  LES BORÉADES DE MONTRÉAL Francis Colpron - flûte à bec / recorder Manfred Kraemer - violon / violin Hélène Plouffe - violon / violin Margaret Little - alto / viola Marguerite Schabas - alto / viola Susie Napper - viole de gambe / viola da gamba Isabelle Bozzini - violoncelle / cello Pierre Cartier - contrabasse / contrabass Eric Milnes - clavecin / harpsichord ACD2 2193 |
Apart from Vivaldi, Telemann is the musician who offers the greatest variety in the choice and distribution of soloists. Structurally, however, the concertos most often adopt the four alternating slow and fast movements of the sonata da chiesa', only his violin concertos generally embrace the three-movement vivaldian model. In fact, Telemann seems more inspired by Torelli, Corelli and Albinoni than by the Red Priest. …
- © Franç ;ois Filiatrault 1999
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Georg Philipp Telemann (1681-1767) Concerto pour flûte à bec, viole de gambe, cordes et basse continue en la mineur Concerto for recorder, viola da gamba, strings and bass continuo in A minor 16:45 [ 1. ] (Grave) (4:18) [ 2. ] Allegro (4:28) [ 3. ] Doice (3:46) [ 4. ] Allegro (4:13) Concerto à 6 pour flûte traversiére, violon principal, cordes et basse continue en mi mineur Concerto a 6 for transverse flute, principal violin, strings and bass continuo in E minor 10:00 [ 5. ] Allegro (2:57) [ 6. ] Adagio (2:17) [ 7. ] Presto - adagio - allegro (4:46) Ouverture et suite pour flûte à bec, cordes et basse continue en la mineur Overture and Suite for recorder, strings and bass continuo in A minor 33:59 [ 8. ] Ouverture (10:36) [ 9. ] Les Plaisirs (3:37) [10.] Air à I'ltatien (7:19) [11.] Menuets I et Il (3:23) [12.] Rejouissance (2:33) [13.] Passepieds I et Il (2:39) [14.] Polonaise (3:52) |
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