ACD 2182 Cover

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Christopher Simpson
The 4 Seasons


Les Voix Humaines
Susie Napper, Margaret Little, Jay Bernfeld, violes | viols
Mike Fentross, théorbe | theorbo   Réjean Poirier, orgue | organ


ACD2 2182
Christopher Simpson was the most important English writer on music in his time, and was remembered by Matthew Locke in 1672 as “a Person whose memory is precious among good and knowing Men, for his exemplary life and excellent skill.”   John Jenkins referred to him as his “very precious friend.”

Simpson's 4 Seasons were the last flowering of the English vogue for divisions, an art that lived on in the well-loved chaconne in the late 17th and 18th centuries, and is still practiced by rock groups today.

Divisions use a short, repeated motif in the bass, called a Ground, as the structural device to give the piece coherence.   Divisions “divide” the beat into many smaller notes - not any notes, of course, but what jazz musicians call “licks” and musicians in Simpson's day thought of as figures.

Simpson was himself the author of the best written discussion of divisions, a book he called The Division- violist; or An Introduction to the Playing upon a Ground, first published in 1659.


- Bruce Haynes

Christopher Simpson (c 1605-1669)

The 4 Seasons

      Spring         16:23
  1. Fantasia     06:03
  2. Ayre     04:45
  3. Galliard     05:35

      Summer         15:14
  4. Fantasia     05:22
  5. Ayre     05:27
  6. Galliard     04:25

      Autumne         13:28
  7. Fantasia     05:38
  8. Ayre     04:00
  9. Galliard     03:50

      Winter         13:39
10. Fantasia     05:52
11. Ayre     03:12
12. Galliard     04:35




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